{"id":416,"date":"2022-04-29T20:49:27","date_gmt":"2022-04-29T18:49:27","guid":{"rendered":"https:\/\/tonga.filmuniversitaet.de\/blog\/?p=416"},"modified":"2022-04-29T20:51:43","modified_gmt":"2022-04-29T18:51:43","slug":"tonga-updates-sprint-63-72","status":"publish","type":"post","link":"https:\/\/tonga.filmuniversitaet.de\/blog\/tonga-updates-sprint-63-72\/","title":{"rendered":"Tonga Updates Sprint 63-72"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Liebe Nutzerinnen von TONGA,<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">viel Zeit ist vergangen seit dem letzten Update. Wir hatten einen komplizierten Umbau zu bew\u00e4ltigen. Ein Umbau, der auch vielf\u00e4ltige Risiken f\u00fcr die Betriebssicherheit beinhaltet. Und um die laufenden Projekte nicht zu gef\u00e4hrden, haben wir lange und intensiv getestet. Nat\u00fcrlich haben wir w\u00e4hrenddessen weiter entwickelt. So haben wir diesmal <strong>zehn<\/strong> Entwicklungszyklen (&#8222;Sprints&#8220;) mit einer Summe von \u00fcber 170 einzelnen Implementierungen in das aktuelle Update eingeschlossen. Seit dem 08.04.2022 ist nun auf <a rel=\"noreferrer noopener\" href=\"https:\/\/tonga.filmuniversitaet.de\" target=\"_blank\">https:\/\/tonga.filmuniversitaet.de<\/a> verf\u00fcgbar:<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Asset-Typ Link (Sprint 63)<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Im Projektmanagement k\u00f6nnen nun Links in einem besonderen Asset-Typ angegeben werden. So k\u00f6nnen etwa Schnittversionen verlinkt werden, oder es kann ein ganzes Cloud-Verzeichnis angegeben werden, in dem das Paket f\u00fcr ein Greenlighting liegt o.\u00e4.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img data-opt-id=2094777285  fetchpriority=\"high\" decoding=\"async\" width=\"966\" height=\"178\" src=\"https:\/\/mlzfgyjjqjvg.i.optimole.com\/w:auto\/h:auto\/q:mauto\/f:best\/https:\/\/tonga.filmuniversitaet.de\/blog\/wp-content\/uploads\/2022\/04\/image.png\" alt=\"\" class=\"wp-image-417\" srcset=\"https:\/\/mlzfgyjjqjvg.i.optimole.com\/w:966\/h:178\/q:mauto\/f:best\/https:\/\/tonga.filmuniversitaet.de\/blog\/wp-content\/uploads\/2022\/04\/image.png 966w, https:\/\/mlzfgyjjqjvg.i.optimole.com\/w:300\/h:55\/q:mauto\/f:best\/https:\/\/tonga.filmuniversitaet.de\/blog\/wp-content\/uploads\/2022\/04\/image.png 300w, https:\/\/mlzfgyjjqjvg.i.optimole.com\/w:768\/h:142\/q:mauto\/f:best\/https:\/\/tonga.filmuniversitaet.de\/blog\/wp-content\/uploads\/2022\/04\/image.png 768w\" sizes=\"(max-width: 966px) 100vw, 966px\" \/><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Assets k\u00f6nnen frei mit mehreren Phasen verbunden werden (Sprint 63)<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Wiederkehrende Elemente, die sich \u00fcber den Produktionsverlauf hinweg entwickeln, k\u00f6nnen nun in mehreren Phasen verlinkt werden. F\u00fcr jede Phase k\u00f6nnen die Freigabebedingungen separat eingestellt werden. Das schafft mehr \u00dcbersichtlichkeit im Projekt, denn bisher mussten daf\u00fcr Assets gleichen Typs in mehreren Kopien angelegt werden.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img data-opt-id=85685025  fetchpriority=\"high\" decoding=\"async\" width=\"974\" height=\"178\" src=\"https:\/\/mlzfgyjjqjvg.i.optimole.com\/w:auto\/h:auto\/q:mauto\/f:best\/https:\/\/tonga.filmuniversitaet.de\/blog\/wp-content\/uploads\/2022\/04\/image-2.png\" alt=\"\" class=\"wp-image-419\" srcset=\"https:\/\/mlzfgyjjqjvg.i.optimole.com\/w:974\/h:178\/q:mauto\/f:best\/https:\/\/tonga.filmuniversitaet.de\/blog\/wp-content\/uploads\/2022\/04\/image-2.png 974w, https:\/\/mlzfgyjjqjvg.i.optimole.com\/w:300\/h:55\/q:mauto\/f:best\/https:\/\/tonga.filmuniversitaet.de\/blog\/wp-content\/uploads\/2022\/04\/image-2.png 300w, https:\/\/mlzfgyjjqjvg.i.optimole.com\/w:768\/h:140\/q:mauto\/f:best\/https:\/\/tonga.filmuniversitaet.de\/blog\/wp-content\/uploads\/2022\/04\/image-2.png 768w\" sizes=\"(max-width: 974px) 100vw, 974px\" \/><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Erweiterungen des Film-Infoblatts (Sprint 64)<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Das Film-Infoblatt hat nun eine Liste, in die Festival-Teilnahmen und Preise eingetragen werden k\u00f6nnen.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img data-opt-id=163358069  data-opt-src=\"https:\/\/mlzfgyjjqjvg.i.optimole.com\/w:auto\/h:auto\/q:mauto\/f:best\/https:\/\/tonga.filmuniversitaet.de\/blog\/wp-content\/uploads\/2022\/04\/image-3.png\"  decoding=\"async\" width=\"1038\" height=\"352\" src=\"data:image/svg+xml,%3Csvg%20viewBox%3D%220%200%20100%%20100%%22%20width%3D%22100%%22%20height%3D%22100%%22%20xmlns%3D%22http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%22%3E%3Crect%20width%3D%22100%%22%20height%3D%22100%%22%20fill%3D%22transparent%22%2F%3E%3C%2Fsvg%3E\" alt=\"\" class=\"wp-image-420\" old-srcset=\"https:\/\/mlzfgyjjqjvg.i.optimole.com\/w:1038\/h:352\/q:mauto\/f:best\/https:\/\/tonga.filmuniversitaet.de\/blog\/wp-content\/uploads\/2022\/04\/image-3.png 1038w, https:\/\/mlzfgyjjqjvg.i.optimole.com\/w:300\/h:102\/q:mauto\/f:best\/https:\/\/tonga.filmuniversitaet.de\/blog\/wp-content\/uploads\/2022\/04\/image-3.png 300w, https:\/\/mlzfgyjjqjvg.i.optimole.com\/w:768\/h:260\/q:mauto\/f:best\/https:\/\/tonga.filmuniversitaet.de\/blog\/wp-content\/uploads\/2022\/04\/image-3.png 768w, https:\/\/mlzfgyjjqjvg.i.optimole.com\/w:1024\/h:347\/q:mauto\/f:best\/https:\/\/tonga.filmuniversitaet.de\/blog\/wp-content\/uploads\/2022\/04\/image-3.png 1024w\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Unter dem Tab &#8222;Inhalt&#8220; kann nun eine Biografie der RegisseurIn abgelegt werden.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img data-opt-id=362778404  data-opt-src=\"https:\/\/mlzfgyjjqjvg.i.optimole.com\/w:auto\/h:auto\/q:mauto\/f:best\/https:\/\/tonga.filmuniversitaet.de\/blog\/wp-content\/uploads\/2022\/04\/image-4.png\"  loading=\"lazy\" decoding=\"async\" width=\"1020\" height=\"258\" src=\"data:image/svg+xml,%3Csvg%20viewBox%3D%220%200%20100%%20100%%22%20width%3D%22100%%22%20height%3D%22100%%22%20xmlns%3D%22http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%22%3E%3Crect%20width%3D%22100%%22%20height%3D%22100%%22%20fill%3D%22transparent%22%2F%3E%3C%2Fsvg%3E\" alt=\"\" class=\"wp-image-421\" old-srcset=\"https:\/\/mlzfgyjjqjvg.i.optimole.com\/w:1020\/h:258\/q:mauto\/f:best\/https:\/\/tonga.filmuniversitaet.de\/blog\/wp-content\/uploads\/2022\/04\/image-4.png 1020w, https:\/\/mlzfgyjjqjvg.i.optimole.com\/w:300\/h:76\/q:mauto\/f:best\/https:\/\/tonga.filmuniversitaet.de\/blog\/wp-content\/uploads\/2022\/04\/image-4.png 300w, https:\/\/mlzfgyjjqjvg.i.optimole.com\/w:768\/h:194\/q:mauto\/f:best\/https:\/\/tonga.filmuniversitaet.de\/blog\/wp-content\/uploads\/2022\/04\/image-4.png 768w\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">\u00dcber den Translate-Button wird er Text mithilfe des Tools deepl \u00fcbersetzt.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Diverse Verbesserungen der Projektseite und der Projektkonfiguration (Sprint 65 und 66)<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Projektphasen k\u00f6nnen bei entsprechender Konfiguration nun auch von den Studierenden selbst abgeschlossen werden. Die \u00fcblichen Freigabe-Benachrichtigungen (Anforderung, Erteilung und Ablehnung der Freigabe) k\u00f6nnen nun auch f\u00fcr Phasen eingerichtet werden. Die Liste der Assets auf der Projektseite wurde angepasst, sodass die Verlinkungen \u00fcbersichtlich angezeigt werden.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img data-opt-id=918892855  data-opt-src=\"https:\/\/mlzfgyjjqjvg.i.optimole.com\/w:auto\/h:auto\/q:mauto\/f:best\/https:\/\/tonga.filmuniversitaet.de\/blog\/wp-content\/uploads\/2022\/04\/image-5.png\"  loading=\"lazy\" decoding=\"async\" width=\"961\" height=\"622\" src=\"data:image/svg+xml,%3Csvg%20viewBox%3D%220%200%20100%%20100%%22%20width%3D%22100%%22%20height%3D%22100%%22%20xmlns%3D%22http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%22%3E%3Crect%20width%3D%22100%%22%20height%3D%22100%%22%20fill%3D%22transparent%22%2F%3E%3C%2Fsvg%3E\" alt=\"\" class=\"wp-image-422\" old-srcset=\"https:\/\/mlzfgyjjqjvg.i.optimole.com\/w:961\/h:622\/q:mauto\/f:best\/https:\/\/tonga.filmuniversitaet.de\/blog\/wp-content\/uploads\/2022\/04\/image-5.png 961w, https:\/\/mlzfgyjjqjvg.i.optimole.com\/w:300\/h:194\/q:mauto\/f:best\/https:\/\/tonga.filmuniversitaet.de\/blog\/wp-content\/uploads\/2022\/04\/image-5.png 300w, https:\/\/mlzfgyjjqjvg.i.optimole.com\/w:768\/h:497\/q:mauto\/f:best\/https:\/\/tonga.filmuniversitaet.de\/blog\/wp-content\/uploads\/2022\/04\/image-5.png 768w\" \/><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Grafische Darstellung des Projektablaufs (Sprint 67)<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Die Konfiguration des Projektablaufs kann in einer Druckansicht dargestellt und als PDF exportiert werden.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img data-opt-id=609024934  data-opt-src=\"https:\/\/mlzfgyjjqjvg.i.optimole.com\/w:auto\/h:auto\/q:mauto\/f:best\/https:\/\/tonga.filmuniversitaet.de\/blog\/wp-content\/uploads\/2022\/04\/image-6.png\"  loading=\"lazy\" decoding=\"async\" width=\"1064\" height=\"324\" src=\"data:image/svg+xml,%3Csvg%20viewBox%3D%220%200%20100%%20100%%22%20width%3D%22100%%22%20height%3D%22100%%22%20xmlns%3D%22http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%22%3E%3Crect%20width%3D%22100%%22%20height%3D%22100%%22%20fill%3D%22transparent%22%2F%3E%3C%2Fsvg%3E\" alt=\"\" class=\"wp-image-423\" old-srcset=\"https:\/\/mlzfgyjjqjvg.i.optimole.com\/w:1064\/h:324\/q:mauto\/f:best\/https:\/\/tonga.filmuniversitaet.de\/blog\/wp-content\/uploads\/2022\/04\/image-6.png 1064w, https:\/\/mlzfgyjjqjvg.i.optimole.com\/w:300\/h:91\/q:mauto\/f:best\/https:\/\/tonga.filmuniversitaet.de\/blog\/wp-content\/uploads\/2022\/04\/image-6.png 300w, https:\/\/mlzfgyjjqjvg.i.optimole.com\/w:768\/h:234\/q:mauto\/f:best\/https:\/\/tonga.filmuniversitaet.de\/blog\/wp-content\/uploads\/2022\/04\/image-6.png 768w, https:\/\/mlzfgyjjqjvg.i.optimole.com\/w:1024\/h:312\/q:mauto\/f:best\/https:\/\/tonga.filmuniversitaet.de\/blog\/wp-content\/uploads\/2022\/04\/image-6.png 1024w\" \/><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Kontaktinformationen in Sidebar ausgelagert, kompakte Darstellung von Artikel-Sets und diverse Anpassungen f\u00fcr HFF-Version (Sprint 68)<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Um mehr \u00dcbersicht auf der Projektseite zu schaffen, haben wir die Kontaktinformationen zu den Projektbeteiligten in eine Sidebar ausgelagert. Durch die Verkleinerung des Feldes f\u00fcr die Projektdaten ist die Phasendarstellung besser zug\u00e4nglich.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img data-opt-id=1175919905  data-opt-src=\"https:\/\/mlzfgyjjqjvg.i.optimole.com\/w:auto\/h:auto\/q:mauto\/f:best\/https:\/\/tonga.filmuniversitaet.de\/blog\/wp-content\/uploads\/2022\/04\/image-7.png\"  loading=\"lazy\" decoding=\"async\" width=\"697\" height=\"588\" src=\"data:image/svg+xml,%3Csvg%20viewBox%3D%220%200%20100%%20100%%22%20width%3D%22100%%22%20height%3D%22100%%22%20xmlns%3D%22http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%22%3E%3Crect%20width%3D%22100%%22%20height%3D%22100%%22%20fill%3D%22transparent%22%2F%3E%3C%2Fsvg%3E\" alt=\"\" class=\"wp-image-424\" old-srcset=\"https:\/\/mlzfgyjjqjvg.i.optimole.com\/w:697\/h:588\/q:mauto\/f:best\/https:\/\/tonga.filmuniversitaet.de\/blog\/wp-content\/uploads\/2022\/04\/image-7.png 697w, https:\/\/mlzfgyjjqjvg.i.optimole.com\/w:300\/h:253\/q:mauto\/f:best\/https:\/\/tonga.filmuniversitaet.de\/blog\/wp-content\/uploads\/2022\/04\/image-7.png 300w\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">\u00dcber ein Kontrollelement kann man nun zwischen einer ausf\u00fchrlichen und einer kompakten Darstellung von Artikel-Sets umschalten.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img data-opt-id=1726753993  data-opt-src=\"https:\/\/mlzfgyjjqjvg.i.optimole.com\/w:auto\/h:auto\/q:mauto\/f:best\/https:\/\/tonga.filmuniversitaet.de\/blog\/wp-content\/uploads\/2022\/04\/image-8.png\"  loading=\"lazy\" decoding=\"async\" width=\"397\" height=\"263\" src=\"data:image/svg+xml,%3Csvg%20viewBox%3D%220%200%20100%%20100%%22%20width%3D%22100%%22%20height%3D%22100%%22%20xmlns%3D%22http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%22%3E%3Crect%20width%3D%22100%%22%20height%3D%22100%%22%20fill%3D%22transparent%22%2F%3E%3C%2Fsvg%3E\" alt=\"\" class=\"wp-image-425\" old-srcset=\"https:\/\/mlzfgyjjqjvg.i.optimole.com\/w:397\/h:263\/q:mauto\/f:best\/https:\/\/tonga.filmuniversitaet.de\/blog\/wp-content\/uploads\/2022\/04\/image-8.png 397w, https:\/\/mlzfgyjjqjvg.i.optimole.com\/w:300\/h:199\/q:mauto\/f:best\/https:\/\/tonga.filmuniversitaet.de\/blog\/wp-content\/uploads\/2022\/04\/image-8.png 300w\" \/><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Asset-Typ Rich Text und Dashboard (Sprint 69)<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Oft ist es notwendig, Informationen wie eine Liste von herzustellenden Mastern in TONGA einzutragen. Mit dem neuen Asset-Typ Rich Text kann nun Text frei editiert werden. Das Asset verf\u00fcgt \u00fcber diverse Formatierungsoptionen wie Fettschrift, Kursivschrift, Listendarstellungen usw.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img data-opt-id=1495864203  data-opt-src=\"https:\/\/mlzfgyjjqjvg.i.optimole.com\/w:auto\/h:auto\/q:mauto\/f:best\/https:\/\/tonga.filmuniversitaet.de\/blog\/wp-content\/uploads\/2022\/04\/image-9.png\"  loading=\"lazy\" decoding=\"async\" width=\"958\" height=\"387\" src=\"data:image/svg+xml,%3Csvg%20viewBox%3D%220%200%20100%%20100%%22%20width%3D%22100%%22%20height%3D%22100%%22%20xmlns%3D%22http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%22%3E%3Crect%20width%3D%22100%%22%20height%3D%22100%%22%20fill%3D%22transparent%22%2F%3E%3C%2Fsvg%3E\" alt=\"\" class=\"wp-image-426\" old-srcset=\"https:\/\/mlzfgyjjqjvg.i.optimole.com\/w:958\/h:387\/q:mauto\/f:best\/https:\/\/tonga.filmuniversitaet.de\/blog\/wp-content\/uploads\/2022\/04\/image-9.png 958w, https:\/\/mlzfgyjjqjvg.i.optimole.com\/w:300\/h:121\/q:mauto\/f:best\/https:\/\/tonga.filmuniversitaet.de\/blog\/wp-content\/uploads\/2022\/04\/image-9.png 300w, https:\/\/mlzfgyjjqjvg.i.optimole.com\/w:768\/h:310\/q:mauto\/f:best\/https:\/\/tonga.filmuniversitaet.de\/blog\/wp-content\/uploads\/2022\/04\/image-9.png 768w\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Studierende, Lehrende und Herstellungsleiter werden nun mit einem Dashboard begr\u00fcsst, das wichtige Informationen wie aktuelle Benachrichtigungen, betreute Projekte oder ausstehende Freigaben in einer komprimierten \u00dcbersicht anzeigt<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img data-opt-id=727375690  data-opt-src=\"https:\/\/mlzfgyjjqjvg.i.optimole.com\/w:auto\/h:auto\/q:mauto\/f:best\/https:\/\/tonga.filmuniversitaet.de\/blog\/wp-content\/uploads\/2022\/04\/image-10.png\"  loading=\"lazy\" decoding=\"async\" width=\"1052\" height=\"649\" src=\"data:image/svg+xml,%3Csvg%20viewBox%3D%220%200%20100%%20100%%22%20width%3D%22100%%22%20height%3D%22100%%22%20xmlns%3D%22http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%22%3E%3Crect%20width%3D%22100%%22%20height%3D%22100%%22%20fill%3D%22transparent%22%2F%3E%3C%2Fsvg%3E\" alt=\"\" class=\"wp-image-427\" old-srcset=\"https:\/\/mlzfgyjjqjvg.i.optimole.com\/w:1052\/h:649\/q:mauto\/f:best\/https:\/\/tonga.filmuniversitaet.de\/blog\/wp-content\/uploads\/2022\/04\/image-10.png 1052w, https:\/\/mlzfgyjjqjvg.i.optimole.com\/w:300\/h:185\/q:mauto\/f:best\/https:\/\/tonga.filmuniversitaet.de\/blog\/wp-content\/uploads\/2022\/04\/image-10.png 300w, https:\/\/mlzfgyjjqjvg.i.optimole.com\/w:768\/h:474\/q:mauto\/f:best\/https:\/\/tonga.filmuniversitaet.de\/blog\/wp-content\/uploads\/2022\/04\/image-10.png 768w, https:\/\/mlzfgyjjqjvg.i.optimole.com\/w:1024\/h:632\/q:mauto\/f:best\/https:\/\/tonga.filmuniversitaet.de\/blog\/wp-content\/uploads\/2022\/04\/image-10.png 1024w\" \/><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Anpassungen f\u00fcr die Version unseres Kooperationspartners HFF (Sprint 70)<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Die organisatorischen Abl\u00e4ufe in den Projekten unseres Kooperationspartners HFF unterscheiden sich in einigen Aspekten. Dieser Sprint war haupts\u00e4chlich der Anpassung an die Prozesse der HFF und vielen Detailverbesserungen der Projektseite gewidmet.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Globales Bemerkungsfeld f\u00fcr Herstellungsleitung und weitere Verbesserungen des Dashboards (Sprint 71)<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Die Herstellungsleitung hat nun auf der Projektseite ein Feld, in dem sie interne Notizen zum Projekt ablegen kann.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img data-opt-id=497326945  data-opt-src=\"https:\/\/mlzfgyjjqjvg.i.optimole.com\/w:auto\/h:auto\/q:mauto\/f:best\/https:\/\/tonga.filmuniversitaet.de\/blog\/wp-content\/uploads\/2022\/04\/image-11.png\"  loading=\"lazy\" decoding=\"async\" width=\"639\" height=\"293\" src=\"data:image/svg+xml,%3Csvg%20viewBox%3D%220%200%20100%%20100%%22%20width%3D%22100%%22%20height%3D%22100%%22%20xmlns%3D%22http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%22%3E%3Crect%20width%3D%22100%%22%20height%3D%22100%%22%20fill%3D%22transparent%22%2F%3E%3C%2Fsvg%3E\" alt=\"\" class=\"wp-image-428\" old-srcset=\"https:\/\/mlzfgyjjqjvg.i.optimole.com\/w:639\/h:293\/q:mauto\/f:best\/https:\/\/tonga.filmuniversitaet.de\/blog\/wp-content\/uploads\/2022\/04\/image-11.png 639w, https:\/\/mlzfgyjjqjvg.i.optimole.com\/w:300\/h:138\/q:mauto\/f:best\/https:\/\/tonga.filmuniversitaet.de\/blog\/wp-content\/uploads\/2022\/04\/image-11.png 300w\" \/><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Deaktivierung\/Aktivierung von Assets auf der Projektseite (Sprint 72)<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Sprint 72 war den Bed\u00fcrfnissen der Herstellungsleitung gewidmet. Herstellungsleiter k\u00f6nnen nun direkt auf der Projektseite nicht ben\u00f6tigte Assets deaktivieren und aktivieren. Deaktivierte Assets werden f\u00fcr Herstellungsleiter ausgegraut dargestellt und sind ohne Funktionen. F\u00fcr Studierende werden diese Assets dann garnicht mehr angezeigt.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img data-opt-id=544715330  data-opt-src=\"https:\/\/mlzfgyjjqjvg.i.optimole.com\/w:auto\/h:auto\/q:mauto\/f:best\/https:\/\/tonga.filmuniversitaet.de\/blog\/wp-content\/uploads\/2022\/04\/image-12.png\"  loading=\"lazy\" decoding=\"async\" width=\"971\" height=\"111\" src=\"data:image/svg+xml,%3Csvg%20viewBox%3D%220%200%20100%%20100%%22%20width%3D%22100%%22%20height%3D%22100%%22%20xmlns%3D%22http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%22%3E%3Crect%20width%3D%22100%%22%20height%3D%22100%%22%20fill%3D%22transparent%22%2F%3E%3C%2Fsvg%3E\" alt=\"\" class=\"wp-image-429\" old-srcset=\"https:\/\/mlzfgyjjqjvg.i.optimole.com\/w:971\/h:111\/q:mauto\/f:best\/https:\/\/tonga.filmuniversitaet.de\/blog\/wp-content\/uploads\/2022\/04\/image-12.png 971w, https:\/\/mlzfgyjjqjvg.i.optimole.com\/w:300\/h:34\/q:mauto\/f:best\/https:\/\/tonga.filmuniversitaet.de\/blog\/wp-content\/uploads\/2022\/04\/image-12.png 300w, https:\/\/mlzfgyjjqjvg.i.optimole.com\/w:768\/h:88\/q:mauto\/f:best\/https:\/\/tonga.filmuniversitaet.de\/blog\/wp-content\/uploads\/2022\/04\/image-12.png 768w\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"> \u00dcber Thumbnails k\u00f6nnen Projekte im Schnellzugriff erreicht werden. Durch Klick auf das Sternchen neben dem Projekt-Titel wird ein Thumbnail im Kopfbereich eingeblendet, \u00fcber das das Projekt jederzeit angesteuert werden kann.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img data-opt-id=992713343  data-opt-src=\"https:\/\/mlzfgyjjqjvg.i.optimole.com\/w:auto\/h:auto\/q:mauto\/f:best\/https:\/\/tonga.filmuniversitaet.de\/blog\/wp-content\/uploads\/2022\/04\/image-14.png\"  loading=\"lazy\" decoding=\"async\" width=\"317\" height=\"82\" src=\"data:image/svg+xml,%3Csvg%20viewBox%3D%220%200%20100%%20100%%22%20width%3D%22100%%22%20height%3D%22100%%22%20xmlns%3D%22http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%22%3E%3Crect%20width%3D%22100%%22%20height%3D%22100%%22%20fill%3D%22transparent%22%2F%3E%3C%2Fsvg%3E\" alt=\"\" class=\"wp-image-431\" old-srcset=\"https:\/\/mlzfgyjjqjvg.i.optimole.com\/w:317\/h:82\/q:mauto\/f:best\/https:\/\/tonga.filmuniversitaet.de\/blog\/wp-content\/uploads\/2022\/04\/image-14.png 317w, https:\/\/mlzfgyjjqjvg.i.optimole.com\/w:300\/h:78\/q:mauto\/f:best\/https:\/\/tonga.filmuniversitaet.de\/blog\/wp-content\/uploads\/2022\/04\/image-14.png 300w\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img data-opt-id=1901835150  data-opt-src=\"https:\/\/mlzfgyjjqjvg.i.optimole.com\/w:auto\/h:auto\/q:mauto\/f:best\/https:\/\/tonga.filmuniversitaet.de\/blog\/wp-content\/uploads\/2022\/04\/image-13.png\"  loading=\"lazy\" decoding=\"async\" width=\"560\" height=\"115\" src=\"data:image/svg+xml,%3Csvg%20viewBox%3D%220%200%20100%%20100%%22%20width%3D%22100%%22%20height%3D%22100%%22%20xmlns%3D%22http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%22%3E%3Crect%20width%3D%22100%%22%20height%3D%22100%%22%20fill%3D%22transparent%22%2F%3E%3C%2Fsvg%3E\" alt=\"\" class=\"wp-image-430\" old-srcset=\"https:\/\/mlzfgyjjqjvg.i.optimole.com\/w:560\/h:115\/q:mauto\/f:best\/https:\/\/tonga.filmuniversitaet.de\/blog\/wp-content\/uploads\/2022\/04\/image-13.png 560w, https:\/\/mlzfgyjjqjvg.i.optimole.com\/w:300\/h:62\/q:mauto\/f:best\/https:\/\/tonga.filmuniversitaet.de\/blog\/wp-content\/uploads\/2022\/04\/image-13.png 300w\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Wir bedanken uns wie immer bei allen NutzerInnen f\u00fcr die Arbeit mit TONGA und freuen uns \u00fcber Feedback \u00fcber unsere Mail-Adresse\u00a0<a href=\"mailto:tonga@filmuniversitaet.de\">tonga@filmuniversitaet.de<\/a>, unser Reporting-Tool unter\u00a0<a href=\"https:\/\/tonga.filmuniversitaet.de\/usertest\/\">https:\/\/tonga.filmuniversitaet.de\/usertest\/<\/a>, unseren Telegram-Kanal\u00a0<a href=\"https:\/\/t.me\/tonga_filmuniversitaet\">https:\/\/t.me\/tonga_filmuniversitaet<\/a>\u00a0oder in der w\u00f6chentlichen \u201eoffenen Sprechstunde\u201c Freitags um 11 Uhr unter\u00a0<a href=\"https:\/\/us02web.zoom.us\/j\/81668426918?pwd=WTBGeVFxeDZXMEpFY3YzQzFubyt3UT09\"><a href=\"https:\/\/us04web.zoom.us\/j\/7332099215?pwd=69liMKrIvB8tXdJeD4orxonxnmMz\">https:\/\/us04web.zoom.us\/j\/7332099215?pwd=69liMKrIvB8tXdJeD4orxonxnmMz<\/a><\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Liebe Nutzerinnen von TONGA, viel Zeit ist vergangen seit dem letzten Update. Wir hatten einen komplizierten Umbau zu bew\u00e4ltigen. Ein [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[1],"tags":[],"class_list":["post-416","post","type-post","status-publish","format-standard","hentry","category-allgemein"],"_links":{"self":[{"href":"https:\/\/tonga.filmuniversitaet.de\/blog\/wp-json\/wp\/v2\/posts\/416","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tonga.filmuniversitaet.de\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tonga.filmuniversitaet.de\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tonga.filmuniversitaet.de\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tonga.filmuniversitaet.de\/blog\/wp-json\/wp\/v2\/comments?post=416"}],"version-history":[{"count":5,"href":"https:\/\/tonga.filmuniversitaet.de\/blog\/wp-json\/wp\/v2\/posts\/416\/revisions"}],"predecessor-version":[{"id":539,"href":"https:\/\/tonga.filmuniversitaet.de\/blog\/wp-json\/wp\/v2\/posts\/416\/revisions\/539"}],"wp:attachment":[{"href":"https:\/\/tonga.filmuniversitaet.de\/blog\/wp-json\/wp\/v2\/media?parent=416"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tonga.filmuniversitaet.de\/blog\/wp-json\/wp\/v2\/categories?post=416"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tonga.filmuniversitaet.de\/blog\/wp-json\/wp\/v2\/tags?post=416"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}